Sony S-Log3 LUTs by Jacob Nordin – 6 Filmic Looks

What problem does it solve?

S-Log3 footage records huge dynamic range but looks grey and flat straight out of camera. Jacob Nordin's six LUTs take on the hardest part of the grade, restoring contrast, controlling shadows and letting highlights ease off.

What does it look like?

Clean and filmic, with warm, natural skin that avoids orange or plastic tones. It is subtle enough to stay consistent across an entire timeline.

Which cameras?

The LUTs are tuned for S-Log3 with S-Gamut3.Cine, so owners of the Sony A7S III and similar bodies get predictable results from the start.

Where can I use it?

DaVinci Resolve, Premiere Pro, Final Cut Pro and any LUT-capable editor. Travel films, cinematic shorts, YouTube videos and client projects where matching shots matters more than a heavy style.