by CineGrain
Cities have their own colour signatures: orange sodium lamps, reflective glass, grey concrete and flickering neon. Cinegrain turned those into a set of grades.
Every look exists both as a single LUT file and as a complete Resolve node graph you can save for reuse.
The grades assume your footage has already been converted from log to a normal display space. Do that first, then apply a CITY look, and results stay predictable.
The node graphs are laid out in a sensible order, so finding and adjusting a specific step is straightforward.
Professional finishing tools such as Baselight, Flame and Nuke can also read the LUTs.
Few grading packs have an origin story like Apollo. Straight from the missions Cinegrain scanned the large-format film that astronauts expos...
CineGrain
Pipeline is Cinegrain's professional toolkit for colourists working in ACES. Grade once, deliver anywhere The LUTs operate in ACEScct (AP1),...
CineGrain
Acidbite aimed GRITTY at editors who want their footage to hit hard. The look Heavy contrast, rich blacks, a tactile texture and bright, ene...
AcidBite
Drone pilot and filmmaker Denis Barbas designed these grades to make aerial clips look cinematic quickly. Built around DJI They were tuned f...
Denis Barbas
Colour grading shouldn't swallow your whole edit. Creator LUTs from Gamut give you a cinematic grade in a single click. Styles Warm, film-li...
Gamut
Vanessa & Ivo are wedding filmmakers who have relied on these grades daily since 2012. They purposely skip the fashionable orange-and-cyan a...
Vanessa & Ivo
Valdays Film intended this as the pack you reach for on ordinary projects, sorted by the situation you filmed in. Daylight8 clean, cinematic...
Valdays Film
Shooting flat on a drone is easy; finishing it is the hard part. Griffin built Ground Control specifically for Mavic D-Log, and added Rec.70...
Griffin LUTs