Warm faces against cool darks are the backbone of modern movie colour, and Navpreet Singh packed that contrast into a quick-apply set.
Bright areas lean amber and sun-warmed, middle tones keep natural skin balance, and shadows slide toward a deep teal that adds separation. It stays together when light changes instead of falling apart.
.CUBE for universal use and .3DL for extra compatibility, usable on photos and video in Premiere, After Effects, Final Cut, Resolve and Camera Raw.
A good fit for travel films, music videos, portraits and outdoor work.
Pocket cameras record Blackmagic's Gen5 Film curve, and the path from there to a viewable image shapes every later decision. Gamut built the...
Gamut
FilmVision V2 works the way a lab treats a developed negative. Scan first, then grade Its first step reproduces a low-contrast scanner outpu...
Tom Bolles built CinePrint16 for colourists who want digital images to behave like a projected print. The node tree passes footage through a...
Tom Bolles
AcidBite's Elegant pack contains eighteen cinematic looks, each offered in a soft and a hard version. Why it's so big Camera coverage. Every...
AcidBite
Old Kodachrome slides gave reds an almost emotional pull. Analogica Lab rebuilt that colour structure: thick, saturated hues, strong contras...
Analogica Lab
Colour grading shouldn't swallow your whole edit. Creator LUTs from Gamut give you a cinematic grade in a single click. Styles Warm, film-li...
Gamut
Created with How To Film Weddings, Luxe is meant for footage that should look expensive without shouting: vineyard ceremonies, seaside recep...
Gamut
What's it for? Anyone filming on a Sony body in a log profile who wants a dependable route from grey footage to a finished image. What's inc...