FilmVision V2 works the way a lab treats a developed negative.
Its first step reproduces a low-contrast scanner output, which leaves you free to shape contrast, warmth and tone afterwards, just as colourists do with real negatives.
Looks are modelled on Super 8, 16 and 35 millimetre motion picture film. Popular Kodak tungsten and daylight styles are a click away.
Accepts footage from any manufacturer's log profile and runs in every major editor.
Gives narrative shorts, music videos and ads an analogue character without buying and developing film.
Footage from Blackmagic's 4K and 6K Pocket bodies looks grey until it's properly transformed, so this Buttery kit begins with that step. The...
Buttery LUTs
Created with How To Film Weddings, Luxe is meant for footage that should look expensive without shouting: vineyard ceremonies, seaside recep...
Gamut
The popular Campfire photo look, rebuilt for footage. The grade Warm, nostalgic and cinematic: earthy tones, golden warmth, soft contrast an...
G-Presets
This grade gives Fuji log footage the warmth and density people love in Kodak motion picture stocks. The look Rich, warm colour, faces that...
What problem does it solve? S-Log3 footage records huge dynamic range but looks grey and flat straight out of camera. Jacob Nordin's six LUT...
Jacob Nordin
Stratus is a flexible colour base rather than a one-click effect. Gamut kept it cinematic without overstyling: coppery light, optionally coo...
Gamut
Acidbite aimed GRITTY at editors who want their footage to hit hard. The look Heavy contrast, rich blacks, a tactile texture and bright, ene...
AcidBite
Colorwheelstore created Big City for anyone filming downtown. Structure There are sixteen styles, and each comes twice: once for log recordi...
ColorWheel Store