This grade gives Fuji log footage the warmth and density people love in Kodak motion picture stocks.
Rich, warm colour, faces that stay believable, filmic darks and brights that fade out gracefully instead of clipping.
It's configured for F-Log by default, but swapping the colour space transform at the head of the node tree lets it handle Sony, Canon, Panasonic and other log profiles.
Import the node tree straight into Resolve, or render out a cube file and take the look to your favourite non-linear editor.
A flexible starting point for narrative, travel and commercial projects.
Who is it for? Motion designers and 3D artists as much as filmmakers. Greyscalegorilla built Gorilla Grade with render pipelines in mind. Wh...
Greyscalegorilla
This was the first public release of Sam Kolder's personal recipes, the looks behind his Instagram feed and stories, refined over more than...
Sam Kolder
AcidBite's Elegant pack contains eighteen cinematic looks, each offered in a soft and a hard version. Why it's so big Camera coverage. Every...
AcidBite
Shortstache wanted people to understand colour, not just copy it. This DVLOP release pairs a short course with the tools to put it into prac...
DVLOP
Sometimes a grade just needs a final polish, and Boost exists for that job. What it does Raises vibrance only where colour is lacking, leavi...
Gamut
Kodak 500T, the tungsten stock filmmakers use after dark, is the reference for Cineclipse+. Gamut built it for colourists who want analog ch...
Gamut
Andrew Yager's career has taken him to extreme-sports events, music TV and studio sessions with major rap artists. Over almost a decade he d...
Andrew Yager
Shot on digital but craving the density of a print? Preset Curator's pack follows the colour science of real motion-picture stock. Film refe...
Preset Curator