Motion designers and 3D artists as much as filmmakers. Greyscalegorilla built Gorilla Grade with render pipelines in mind.
One hundred grades divided evenly into four families: basic, everyday, cinematic and monochrome.
The files are calibrated for sRGB and tuned to work with renderers such as Redshift, Octane and Arnold.
They're not designed for camera log footage. Apply them to sRGB renders or to video that has already been converted to Rec.709.
A quick way to give CGI and motion graphics a finished, filmic grade.
Moody Presets' wedding collection gives films a refined, cinematic grade while keeping skin natural and contrast rich. Moods included Warm,...
Moodypresets
Sony's log mode looks washed out on purpose, and the conversion you choose shapes everything that follows. Gamut tuned these BaseLUTs for th...
Gamut
CinePrint35 brings two film gauges into DaVinci Resolve. The formats 35mmFiner, cleaner and more polished.16mmGrainier, softer and rougher a...
CinePrint35
Log recording keeps every bit of information but none of the colour you want to show. Gamut's Canon pack handles the tedious first step, map...
Gamut
Julian Papis named the three looks in this pack after places on Madeira, and they share one mood: soft warmth and gentle contrast that make...
Julian Papis
Five grades, five distinct moods. Kinetic from Gamut favours deep blues, saturated reds and warm, credible skin, and its shadows carry weigh...
Gamut
Log footage rarely carries any mood by itself. Modo puts it back: film-inspired colour with a modern finish, rich atmospheric contrast and d...
Preset Curator
KRStocks built this pack for photographers and filmmakers who like their images bold and shadowy, or stripped back to black & white. Two dir...
KRStocks