CinePrint35 – 16mm & 35mm Film Emulation for DaVinci Resolve
CinePrint35 brings two film gauges into DaVinci Resolve. The formats 35mmFiner, cleaner and more polished.16mmGrainier, softer and rougher a...
CinePrint35
Happy Editing offers just three grades, each inspired by a different flavour of small-gauge cinema film.
Designed for log recordings from any camera, giving clips a gritty, cinematic texture.
Music videos, short films and social reels.
Works in the mainstream editors as well as CapCut.
CinePrint35 brings two film gauges into DaVinci Resolve. The formats 35mmFiner, cleaner and more polished.16mmGrainier, softer and rougher a...
CinePrint35Flat, grey and lifeless: that's what DJI's log profile looks like before grading. Four dedicated looks Film Tones targets that one profile a...
Digital sensors often flatten the glow of lamps after sunset. Analogica Lab's emulation of the 500T cinema stock restores it. Colour feels l...
Analogica LabCreated by Jake Pierrelee for Gamut, Orion is a vintage film palette with strong reds, saturated navy blues and dark areas that still show t...
GamutLevels LUT created more than one hundred and forty original looks, spanning cold, dramatic grades through to warm, earthy and natural ones....
FilterGradeMost LUT packs make you guess which file suits your camera. WATZAC and Zac Watson solved that by sorting everything by brand. How it's organ...
WATZAC & Zac WatsonCreative grades only work well on a solid foundation. These five Tropic Colour LUTs provide it for Canon log footage. What they do Map flat,...
Tropic ColourFor decades, Kodak Vision3 2383 print film defined how cinema colour looked on screen. Analogica Lab's LUTs recreate that print character fo...
Analogica Lab