AcidBite CINE LUTs – 13 Commercial Looks in 156 Files
AcidBite originally made these grades for its own promos and trailers, then released them for other editors. The look Moody, controlled dark...
AcidBiteby AcidBite
Acidbite aimed GRITTY at editors who want their footage to hit hard.
Heavy contrast, rich blacks, a tactile texture and bright, energetic colour.
There are eighteen looks, and each has a gentler version and an aggressive version, so you can keep a scene balanced or go all-in on drama.
Hundreds of files prepared for different editing setups, free utilities to convert footage from the major camera log modes, and a walkthrough video.
Action sequences, fashion pieces, music promos and attention-grabbing social posts. It runs in desktop editors and in mobile apps such as CapCut and LumaFusion.
AcidBite originally made these grades for its own promos and trailers, then released them for other editors. The look Moody, controlled dark...
AcidBiteAcidBite's Elegant pack contains eighteen cinematic looks, each offered in a soft and a hard version. Why it's so big Camera coverage. Every...
AcidBiteShortstache wanted people to understand colour, not just copy it. This DVLOP release pairs a short course with the tools to put it into prac...
DVLOPCGDAO kept this pack small and quick: eight looks, all designed for footage that's already in standard Rec709. No extra steps There's no log...
CGDAOTom Bolles built CinePrint16 for colourists who want digital images to behave like a projected print. The node tree passes footage through a...
Tom BollesPicture Fuji film run through a modern edit: complexions warm and real, brights that bloom softly, dark areas rich but clear, and a fine gra...
3MotionalDigital sensors often flatten the glow of lamps after sunset. Analogica Lab's emulation of the 500T cinema stock restores it. Colour feels l...
Analogica LabCinema from the 1970s has an unmistakable warmth, and Cinecolor tried to bottle it. Character Contrast that behaves like film, honeyed middl...
Cinecolor