by Denis Barbas
Drone pilot and filmmaker Denis Barbas designed these grades to make aerial clips look cinematic quickly.
They were tuned for current consumer and prosumer DJI drones, from the compact Mini series to the Air and Mavic lines, using the flat colour modes those aircraft record in. That means colour should look right from the first click.
Filmic contrast, even colour and a clean, professional polish.
Mirrorless cameras from the main brands, gimbal cameras and action cams also respond well, so one set can cover a whole travel edit.
Rather than buying ReelBurn's packs one by one, this download hands you the whole catalogue. Pick the right version Each look is provided fo...
Reelburn
Owners of Canon's C70, C200 and C300 cinema cameras get two layers in this Buttery pack. Layer one: conversion A Natural Rec709 transform fo...
Buttery LUTs
Tungsten-balanced film reacts to lamps and bulbs in its own way, and this Analogica Lab LUT recreates the slower 200T variant. Character A g...
Analogica Lab
Raztrend dug deep into the history of Kodak monochrome film to build this archive. What it covers Famous stocks spanning roughly a century,...
Raztrend
Presetpower made this collection for fashion work that needs to grab attention. The look Saturated colour, bold contrast and a glossy, magaz...
Presetpower
If Cinecolor's 70s pack is warm and mellow, the 80s pack is turned up to eleven. The look Punchy saturation, deep shadows and colour that dr...
Cinecolor
Imagine a roll of Portra shot on a grey afternoon. Cascade borrows that warm, nostalgic film feel: gentle shoulders on the brights, natural...
Gamut
Vanessa & Ivo are wedding filmmakers who have relied on these grades daily since 2012. They purposely skip the fashionable orange-and-cyan a...
Vanessa & Ivo