Buttery Natural Rec709 β Soft Conversion LUTs for Sony S-Log2/S-Log3
Sony's own conversion gets S-Log into Rec709, but the result often looks brittle. A gentler conversion Buttery's version is smoother and mor...
Buttery LUTsby Buttery LUTs
Owners of Canon's C70, C200 and C300 cinema cameras get two layers in this Buttery pack.
A Natural Rec709 transform for CLog2, available at four contrast strengths, giving a clean and accurate base.
Seventeen creative grades modelled on premium commercial work, including Buttery Eterna, a monochrome look, tobacco and crunchy-gold tints and a day-for-night option.
Convert first, fix exposure, white balance and tint, then add a creative look on top and lower its opacity until it sits right.
A dependable, professional workflow for Canon cinema shooters.
Sony's own conversion gets S-Log into Rec709, but the result often looks brittle. A gentler conversion Buttery's version is smoother and mor...
Buttery LUTsWhy not stick with the camera maker's LUT? Blackmagic supplies a basic conversion, but Buttery's version aims to look more like cinema: brig...
Buttery LUTsButtery offers two packs for Blackmagic Pocket cameras, and this is the larger one. Starting point A natural-looking conversion to standard...
Buttery LUTsFootage from Blackmagic's 4K and 6K Pocket bodies looks grey until it's properly transformed, so this Buttery kit begins with that step. The...
Buttery LUTsHow big is it? Over two hundred and twenty-five grades, enough to cover nearly any colour brief. What styles? Golden film looks that warm fa...
The FX3 and A7SIII record enormous range in S-Log3, but that range only pays off when the conversion to standard video is right. The camera'...
GamutPop Movie Look offers twenty-three styles based on the colour of well-known films, packaged so Final Cut users can simply drag them onto cli...
Fog in a pine valley, stone ridges under dull skies, a couple far from any road: Foris was made for that kind of footage. The grade runs coo...
Gamut