Pop Movie Look offers twenty-three styles based on the colour of well-known films, packaged so Final Cut users can simply drag them onto clips.
Every look ships in several strengths, letting you go from a gentle hint to the full effect without touching opacity sliders.
The same files open in Resolve, Premiere, After Effects and other cube-compatible apps, and they even work on still photographs.
Vlogs, travel edits, music videos and ads where you want an instantly recognisable cinema feel without building a grade from scratch.
Wedding films rarely need more colour; they need a lighter touch. Preset Curator's set keeps bright dresses and skies soft at the top end an...
Preset Curator
A wedding moves through many moods, and Dolce is designed to follow all of them without breaking continuity. Six moods 01 : clean and true t...
Gamut
Pipeline is Cinegrain's professional toolkit for colourists working in ACES. Grade once, deliver anywhere The LUTs operate in ACEScct (AP1),...
CineGrain
Julian Papis named the three looks in this pack after places on Madeira, and they share one mood: soft warmth and gentle contrast that make...
Julian Papis
The Platinum Bundle is a toolbox rather than a single colour style. Over ten thousand assets Created by sound designers, effects artists, gr...
A certain recent desert-set film made pastel retro colour fashionable again, and this collection runs with that idea: chalky rose, washed-ou...
Creative grades only work well on a solid foundation. These five Tropic Colour LUTs provide it for Canon log footage. What they do Map flat,...
Tropic Colour
Three-strip Technicolor is the reason classic Hollywood looks so lush. Cinecolor recreated its analog logic. How it works The image is separ...
Cinecolor