Soulmate's photo presets already have a following, and these LUTs carry the same mood into video. They were designed specifically for motion rather than converted from the still versions.
Nostalgic and sunny. The tonal curve is soft, darker areas never block up, the middle range glows gold and people look like themselves rather than tanned. Brights fade off smoothly, keeping the camera's range intact.
Couples who book both a photographer and a filmmaker get an album and a film that look related.
Cube files built for log and flat profiles that load in Resolve, Premiere, Final Cut and similar programs.
Great for elopement and wedding films, love stories, lifestyle and travel clips, and any slow, emotional edit.
Film character without lab costs. Mike Crawat's 2023 pack builds a nostalgic analog palette into digital files: warm highlights, softer cont...
Mike Crawat
A wedding moves through many moods, and Dolce is designed to follow all of them without breaking continuity. Six moods 01 : clean and true t...
Gamut
Colourist John Razalo built ClassicPrint around the look of Hong Kong cinema photographed on 35mm film. How it's made It's a PowerGrade work...
ClassicPrint
Colorwheelstore created Big City for anyone filming downtown. Structure There are sixteen styles, and each comes twice: once for log recordi...
ColorWheel Store
Celluloid comes from Rémy De Vlieger, a colourist based in France, and his post team. Their professional grades usually begin by imitating a...
FilterGrade
CGDAO kept this pack small and quick: eight looks, all designed for footage that's already in standard Rec709. No extra steps There's no log...
CGDAO
How big is it? Over two hundred and twenty-five grades, enough to cover nearly any colour brief. What styles? Golden film looks that warm fa...
Sony log clips look flat, and the manufacturer's conversion often tints them green or pink. Gamut's technical LUTs correct this at the first...
Gamut