by Refined Co
Two Ilford Delta films, one medium speed and one very fast, are staples of KT Merry's analog work. This black & white collection translates their personality to digital photos.
Dragging saturation to zero produces dull grey. These conversions offer tactile grain and shadow areas full of subtle variation.
As with her colour presets, they're balanced for both digital captures and scanned negatives, which keeps mixed-format monochrome galleries consistent.
Fine-art projects, weddings, portrait sessions and editorial stories.
Runs in Lightroom Classic and Adobe Camera Raw.
Most preset collections revolve around faces. Ali Harper's set with Refined is built for the commercial jobs where there may be no people at...
Refined Co
KT Merry's soft, painterly style is famous in fine-art wedding circles. Version 2.0 of her collection with Refined puts it into fourteen pre...
Refined Co
Mixing film and digital on the same wedding day usually leaves two kinds of file that refuse to look alike. Refined Co teamed up with KT Mer...
Refined Co
Photographers who shoot both film and digital know the headache: scans and RAW files rarely match. Refined Co built this 14-preset set aroun...
Refined Co
Tec Petaja earned a spot among BRIDES Magazine's leading wedding photographers in 2020, and his work is admired for honesty and mood. This R...
Refined Co
Creamy, honest skin and colour that behaves the way it did in the room: that's the idea behind Rebecca Frank's RF Co. pack. It leans editori...
Refined Co
Refined IV aims for results that look natural yet finished, without a lot of effort. The colour Authentic hues, smooth skin and balanced gre...
Refined Co
Ektar has always been the loud film stock, and Refined Co leans into that: saturated reds, deep turquoise blues and contrast with real weigh...
Refined Co