by Refined Co
Most preset collections revolve around faces. Ali Harper's set with Refined is built for the commercial jobs where there may be no people at all.
Rooms and architecture, dishes and drinks, products on a table and photography sold through stock libraries.
The colour stays neutral and tidy, the kind of result a client signs off immediately instead of sending back for revisions. When a shoot contains dozens of similar images, every frame can match the next.
Looks are provided as presets and as profiles, which means Lightroom Classic, Camera Raw and Capture One users are all covered.
Refined IV aims for results that look natural yet finished, without a lot of effort. The colour Authentic hues, smooth skin and balanced gre...
Refined Co
Tec Petaja earned a spot among BRIDES Magazine's leading wedding photographers in 2020, and his work is admired for honesty and mood. This R...
Refined Co
Ektar has always been the loud film stock, and Refined Co leans into that: saturated reds, deep turquoise blues and contrast with real weigh...
Refined Co
Mixing film and digital on the same wedding day usually leaves two kinds of file that refuse to look alike. Refined Co teamed up with KT Mer...
Refined Co
KT Merry's soft, painterly style is famous in fine-art wedding circles. Version 2.0 of her collection with Refined puts it into fourteen pre...
Refined Co
Two Ilford Delta films, one medium speed and one very fast, are staples of KT Merry's analog work. This black & white collection translates...
Refined Co
Creamy, honest skin and colour that behaves the way it did in the room: that's the idea behind Rebecca Frank's RF Co. pack. It leans editori...
Refined Co
What is it? A set of 50 masking presets from Refined Co that use Lightroom's AI selection to target one area of a photo and correct it, with...
Refined Co