by Refined Co
Photographers who shoot both film and digital know the headache: scans and RAW files rarely match. Refined Co built this 14-preset set around KT Merry's painterly approach precisely so the two can share one gallery without endless regrading.
Glowing, gentle tones with held-back contrast. Complexions are warm and credible, foliage calms into muted greens, and bright areas melt away instead of clipping. The colour harmony suggests film even on a digital frame.
A natural fit for weddings, fine art, portraiture and editorial storytelling.
Refined Presets' third main collection keeps faith with its film-influenced roots. The look Warmth throughout, rich darker tones and an unde...
Refined Co
Most preset collections revolve around faces. Ali Harper's set with Refined is built for the commercial jobs where there may be no people at...
Refined Co
Refined IV aims for results that look natural yet finished, without a lot of effort. The colour Authentic hues, smooth skin and balanced gre...
Refined Co
KT Merry's soft, painterly style is famous in fine-art wedding circles. Version 2.0 of her collection with Refined puts it into fourteen pre...
Refined Co
Ektar has always been the loud film stock, and Refined Co leans into that: saturated reds, deep turquoise blues and contrast with real weigh...
Refined Co
Caroline Tran is an internationally respected wedding, portrait and commercial photographer, and version 4.0 of her collection with Refined...
Refined Co
Mixing film and digital on the same wedding day usually leaves two kinds of file that refuse to look alike. Refined Co teamed up with KT Mer...
Refined Co
Creamy, honest skin and colour that behaves the way it did in the room: that's the idea behind Rebecca Frank's RF Co. pack. It leans editori...
Refined Co