by 1924us
For her third release, Elle May teamed up with her partner, and the pair split the ten looks between them.
Both drew on the very earliest large-format photographs and on the tactile texture of 1960s prints, which gives the collection a brooding, old-world quality.
Eight colour grades, each rooted in a particular analog stock, plus a pair of monochrome looks.
Stories where mood beats neutral accuracy: portraits, everyday life, weddings and journeys abroad.
Compatible with both RAW and compressed images.
Elle May tuned this trio for three specific lighting situations. Bright, direct sun A warm option with a faint red cast. Strong afternoon li...
1924us
Ask Elle May's studio which looks they use most and you'll get this list of ten. Designed across brands The team developed them on top of Ni...
1924us
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Archipelago based Light & Legacy on the way professional film labs scan negatives. Its six main looks give pale, pastel brights that taper o...
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Ore draws on the colours of raw metal: burnished copper, soft gold and rusted iron. Contents Seven colour looks and two monochromes Six Oxid...
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Not every landscape needs loud colour. Terrain turns saturation down to a murmur and leaves earthy hues, matte cinematic contrast and soft,...