by 1924us
Elle May tuned this trio for three specific lighting situations.
A warm option with a faint red cast.
A version that leans toward green and yellow.
A heavily grained, vintage-feeling look.
All three are matte and textured on purpose, so the results feel handmade and analog rather than slick.
They pair nicely with in-camera experiments, such as holding a piece of plastic or glass in front of the lens for extra imperfection.
For her third release, Elle May teamed up with her partner, and the pair split the ten looks between them. Where the mood comes from Both dr...
1924us
Ask Elle May's studio which looks they use most and you'll get this list of ten. Designed across brands The team developed them on top of Ni...
1924us
Monique Serra's collection has a soft, romantic glow, but the clever part is how it treats skin. Less orange Orange is pulled back slightly,...
G-Presets
Dani Purington travels the world photographing elopements, and her work is known for raw emotion, graceful colour and a timeless feel shaped...
G-Presets
Justin Veenema is known for city portraits with real presence, and this bundle gathers all of his released work. The style uses film-like co...
Justin Veenema
Moments sits at the quiet end of the colour spectrum: tidy, even tones, mild contrast and faces that never turn orange or waxy. Ambient ligh...
TKNORTH
Julia Trotti's Paris preset is one of her best-loved looks. This is its monochrome sibling. The look Elegant black & white with rich blacks,...
Julia Trotti
Photos taken below the surface usually come out murky and green. Tom Kahler built this preset to fix that. What it does Restores clarity, re...
Tom Kahler