by DVLOP
Sam Hurd began his career shooting political news and celebrity portraits in Washington DC, turning down a NASA contractor job along the way, before weddings won him over. His experimental style turns difficult venues into creative opportunities.
His everyday starting point, evolved from the 3D LUT behind his popular Signal Flow.
Tuned to a sweet spot where saturation is rich but controlled and skin stays flattering.
A balanced base you can trust before adding your own creative choices. Released through DVLOP.
Sunlit stone walls, olive groves and gentle skin: that's the feeling of Tuscany, a DVLOP collection from destination wedding photographer Pe...
DVLOP
Think of Fuji 400H: milky brights, gentle contrast and warm skin that never drifts orange. The Pastel Pack from DVLOP and Visual Flow builds...
DVLOP
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Plenty of edits shout. Visual Flow Pure keeps its voice down. The colours you captured stay faithful, contrast fades off softly at both ends...
DVLOP
Melissa Marshall's set for DVLOP mixes a film-memory feeling with polished editorial colour. Warm, emotional tones never become a tint, cont...
DVLOP
Shortstache calls this his foundation kit: the two looks his whole style rests on, along with the reasoning behind them. The two looks One c...
DVLOP
Jose Villa's Fuji-inspired set for DVLOP chases a quality that's hard to imitate: light that is cool without feeling cold, and pastel withou...
DVLOP
Jonas Peterson approaches weddings as a storyteller, and his presets favour feeling over clinical accuracy. The rhythm of the colour Brights...
DVLOP
Nessa Kessinger wanted her photos to feel like slides from a family projector, so she built Kodachronies around the old Kodachrome palette....
DVLOP