by DVLOP
Jonas Peterson approaches weddings as a storyteller, and his presets favour feeling over clinical accuracy.
Brights are eased down, shadows give the frame weight, faces stay truthful and the palette has a calm, film-leaning cadence, like remembering the day rather than documenting it.
Consistent from one location or session to the next. Runs on DVLOP's camera profiles in Lightroom and Camera Raw, with RAW or JPEG.
The Crush Pack is the most intense style Visual Flow has made for DVLOP. Character Rich, dramatic colour with complexions kept in check, giv...
DVLOP
Sam Hurd began his career shooting political news and celebrity portraits in Washington DC, turning down a NASA contractor job along the way...
DVLOP
Shortstache calls this his foundation kit: the two looks his whole style rests on, along with the reasoning behind them. The two looks One c...
DVLOP
−95%
Plenty of edits shout. Visual Flow Pure keeps its voice down. The colours you captured stay faithful, contrast fades off softly at both ends...
DVLOP
Nearly twenty years of wedding photography taught Gabe McClintock restraint, and SONDER shows it. Colour Moody and cinematic. Highlights sta...
DVLOP
Nirav Patel photographs weddings and fine-art portraits in San Francisco, and cinema runs through everything he makes: still moments, carefu...
DVLOP
This DVLOP release from Visual Flow is a training course rather than a preset pack. It teaches how to create deep, cinematic portraits where...
DVLOP
Anyone who has shot Portra knows its habits: creamy highlight roll-off, skin that leans toward soft magenta instead of orange, and contrast...
DVLOP