by DVLOP
Melissa Marshall's set for DVLOP mixes a film-memory feeling with polished editorial colour. Warm, emotional tones never become a tint, contrast is tidy, and soft light keeps its gentleness while picking up enough depth to look intentional.
Faces stay correct whether the light comes through a window, from shade or straight from a high sun, so the presets can carry a complete delivery, not only a favourite frame. The monochrome versions are moody and dense in the darker tones.
A strong choice for anyone photographing weddings, portraits or everyday stories who wants a classic movie-like finish that stays quiet.
Retouching that once meant a trip to Photoshop can now stay in Lightroom Classic. Visual Flow's toolkit for DVLOP uses AI presets that recog...
DVLOP
Shortstache calls this his foundation kit: the two looks his whole style rests on, along with the reasoning behind them. The two looks One c...
DVLOP
Joao Guedes spent years refining one idea for this DVLOP collection: images that feel like pages from a private journal. The mood A soft cin...
DVLOP
Sunlit stone walls, olive groves and gentle skin: that's the feeling of Tuscany, a DVLOP collection from destination wedding photographer Pe...
DVLOP
In The Mood Pack the shadows tell the story. These DVLOP presets from Visual Flow deepen blacks and push tones richer and warmer while keepi...
DVLOP
Nessa Kessinger wanted her photos to feel like slides from a family projector, so she built Kodachronies around the old Kodachrome palette....
DVLOP
Davina & Daniel are a husband-and-wife team who travel the world photographing weddings, frequently with their two boys in tow. They see eve...
DVLOP
Created by The Kitcheners for DVLOP's Majestic Collection, the Emotive Presets draw on the earthy palette of Scotland's landscapes. Long hou...
DVLOP