by DVLOP
AFFOB keep this DVLOP release short: just enough looks to handle almost any light without endless choice.
A cool, chalky blue tames harsh midday sun. A honey-brown version gives skin a natural glow. A deep, saturated blue suits creative shoots and interiors.
One crisp version that still flatters faces, and one denser, grainier version that feels like old film.
Extra tools soften contrast when a scene has a huge range between light and dark, or add atmosphere when you want it.
Built on DVLOP's camera profiles, so a Canon and a Sony file from the same day come out matching.
Jeff Newsome put people at the centre of V2. His DVLOP presets focus on warm, honest skin and a rich palette that lifts every moment. Balanc...
DVLOP
Jonas Peterson approaches weddings as a storyteller, and his presets favour feeling over clinical accuracy. The rhythm of the colour Brights...
DVLOP
Think of Fuji 400H: milky brights, gentle contrast and warm skin that never drifts orange. The Pastel Pack from DVLOP and Visual Flow builds...
DVLOP
Shortstache calls this his foundation kit: the two looks his whole style rests on, along with the reasoning behind them. The two looks One c...
DVLOP
This DVLOP release from Visual Flow is a training course rather than a preset pack. It teaches how to create deep, cinematic portraits where...
DVLOP
The Crush Pack is the most intense style Visual Flow has made for DVLOP. Character Rich, dramatic colour with complexions kept in check, giv...
DVLOP
Created by The Kitcheners for DVLOP's Majestic Collection, the Emotive Presets draw on the earthy palette of Scotland's landscapes. Long hou...
DVLOP
Nearly twenty years of wedding photography taught Gabe McClintock restraint, and SONDER shows it. Colour Moody and cinematic. Highlights sta...
DVLOP