by Zach & Grace
Sunlit skin, white linen and turquoise water: Zach & Grace designed The Destination Pack for days like that. Colour gets a lift but stays realistic, with clean whites, warm yet believable complexions, fresh greens and sea blues that match what was in front of the lens.
The finish feels editorial rather than filtered. A beach ceremony, a rooftop toast and a golden-hour session all come out polished and consistent.
Destination and summer weddings swing from harsh noon sun to open shade to evening glow, and the pack holds up through all of it, which keeps culling and editing moving.
For wedding photographers and creators building a bright, natural signature style.
A wedding day moves through a dozen kinds of light, and the hard part is making the gallery feel like one story. Zach & Grace designed Union...
Zach & Grace
Rural weddings need a light touch: bright dresses that stay bright, skin that looks creamy rather than tanned and shadows deep enough for a...
Zach & Grace
Zach & Grace have had editorial work published in Vogue, Tatler and Harper's Bazaar. The Union of Two pack puts the colour approach behind t...
Zach & Grace
Picture a fashion magazine spread: natural skin with no orange cast, deep shadows that stay clear, clean highlights. Zach & Grace made these...
Zach & Grace
This one isn't a preset pack. It's an education product from Zach & Grace about directing couples on a wedding day, when there's rarely a sp...
Zach & Grace
Blown-out skies behind the ceremony, couples photographed against the sun, group shots with half the faces in shadow: wedding photographers...
Zach & Grace
A working portrait photographer created Cinegrade around the colour science of classic 35mm stock. Dark areas keep their information, the mi...
Presetrain
Nirav Patel approaches monochrome like a cinematographer. His Lotus set for DVLOP uses heavy, weighted contrast with soft transitions, so gr...
DVLOP