by DVLOP
Nirav Patel approaches monochrome like a cinematographer. His Lotus set for DVLOP uses heavy, weighted contrast with soft transitions, so grey midtones keep their detail and whites stay clean.
The inspiration comes from films such as Roma and Ida and from the restrained grit of 1960s and 70s photojournalism: quiet, emotional frames rather than graphic black and white. The contrast is adaptable, so the same preset works under flat window light or hard sun.
For Lightroom Classic, Lightroom and Camera Raw. Ideal for a consistent black & white edit across a wedding, moody portraits that keep skin detail, and documentary sets in mixed light.
Sam Hurd began his career shooting political news and celebrity portraits in Washington DC, turning down a NASA contractor job along the way...
DVLOP
Sunlit stone walls, olive groves and gentle skin: that's the feeling of Tuscany, a DVLOP collection from destination wedding photographer Pe...
DVLOP
This DVLOP release from Visual Flow is a training course rather than a preset pack. It teaches how to create deep, cinematic portraits where...
DVLOP
Nearly twenty years of wedding photography taught Gabe McClintock restraint, and SONDER shows it. Colour Moody and cinematic. Highlights sta...
DVLOP
Anyone who has shot Portra knows its habits: creamy highlight roll-off, skin that leans toward soft magenta instead of orange, and contrast...
DVLOP
Davina & Daniel are a husband-and-wife team who travel the world photographing weddings, frequently with their two boys in tow. They see eve...
DVLOP
Jose Villa's Fuji-inspired set for DVLOP chases a quality that's hard to imitate: light that is cool without feeling cold, and pastel withou...
DVLOP
Nirav Patel photographs weddings and fine-art portraits in San Francisco, and cinema runs through everything he makes: still moments, carefu...
DVLOP