by Archipelago
Chris Dunn reworked one of Archipelago's most loved series and called the result LXCR.
The looks span arid, sun-baked desert palettes through to deep, verdant woodland greens. Throughout, contrast is rich, warmth feels organic and colour has real depth.
Custom creative profiles are built in, giving a cleaner starting point when processing RAW files, and the style holds together as light changes from morning to evening.
Use it in Lightroom on desktop or phone, or in Photoshop's Camera Raw.
Asteria swings between cold, dramatic moods and warm, golden glows, always with a cinematic sensibility. How it's organised Three tonal dire...
Archipelago
Most Archipelago Quests are about people. Altitude is about the land itself. Where it was shaped The team refined it on ridgelines, river va...
Archipelago
This is the Creative Series edition of Wayfarer, developed by Archipelago with photographer Liam Rimmington and inspired by the urge to expl...
Archipelago
Trouvaille sits among the darkest chapters of the Archipelago Quest series. The mood Its tonal range is deliberately tight and its changes a...
Archipelago
Remember the hum of a projector and a sheet on the living-room wall? Quest 55 grades with that memory in mind. Bright tones turn peachy, the...
Archipelago
England's ancient woodlands, with sunlight dappling through the canopy, deep fern greens and drifts of bluebells, inspired Arbor. The palett...
Archipelago
Artists' pigments supplied the palette for Light & Ochre: sienna, yellow ochre and iron oxide reds. Presets Six looks, L&O 01 to 06, with wa...
Archipelago
Del Mar borrows from the playful, symmetrical colour of quirky indie cinema: sugared pastels, nostalgic warmth and palettes that look carefu...
Archipelago