Peter Coulson is a portrait photographer whose signature tones come from an unusual method: he manipulates individual colour channels inside Hasselblad's Phocus software.
It packages that channel-based approach as LUTs that load in Lightroom, so you can apply his blend of contrast, depth and mood to your own sitters.
A video explains how he built the files and how to bring them into Lightroom, giving you the knowledge to design channel-based looks of your own.
Best for portrait and fashion photographers who want a sculpted, recognisable tonal style.
Fuji Super 16 film has its own kind of warmth, with creamy highlights, gentle contrast and convincing skin. Analogica Lab's 16mm Fuji LUT re...
Analogica Lab
Few grading packs have an origin story like Apollo. Straight from the missions Cinegrain scanned the large-format film that astronauts expos...
CineGrain
Pablo Beglez's PBX look, adapted for video so photos and footage from one job can match perfectly. The colour Warm honey, cognac and gold hu...
Meridian Presets
LUT Cinematic 1.2 is a sixty-look pack from Pixel Film Studios, designed with Final Cut Pro X editors in mind. Easy in Final Cut The files a...
Pixel Film Studios
A certain recent desert-set film made pastel retro colour fashionable again, and this collection runs with that idea: chalky rose, washed-ou...
Some LUTs try to do everything. This single file from GNProduction does one job well: grading DJI drone footage recorded in D-Cinelike over...
GNProduction
Three-strip Technicolor is the reason classic Hollywood looks so lush. Cinecolor recreated its analog logic. How it works The image is separ...
Cinecolor
This PGS bundle trades a single signature for sheer breadth: nearly two thousand looks in one folder. Range of styles Moody film grades, bol...
PGS