Wedding days rarely offer consistent light, so Hunter Lashea created a preset for each situation she runs into.
There are nine colour looks, labelled after the conditions they solve: overcast skies, detail shots, flat even light, flash, extra-golden evenings, indoor rooms, dim venues, bright sun and a classic all-rounder.
A single, graceful monochrome option.
In a cramped getting-ready room, outside at sunset, at a rainy ceremony or under reception lights, you can always grab the right starting point. Warm, natural brightness ties the full gallery together.
Nirav Patel photographs weddings and fine-art portraits in San Francisco, and cinema runs through everything he makes: still moments, carefu...
DVLOP
Water is hard to edit. Push the blues and people turn grey; hold back and the photo looks dull. Kseniya Rain built this five-preset pack to...
Kseniya Rain
Ratta Studio designed this pack so a wedding delivery looks like one story from morning to night. Colour Gentle and true. Highlights glide o...
Ratta Studio
Cinestill is motion picture film adapted for ordinary still cameras, and its look is instantly recognisable. The character Warm tones, deep...
Digital LUTs Collection
Meg Legs, a travel content creator, put this single look together after journeys across the South Pacific, including Tahiti and Bora Bora, a...
Meg Legs
The team at Kathi & Chris Photography distilled over a decade of editing into this 2022 set. Their focus: natural complexions and colour tha...
KCP Presets
Chris Dunn reworked one of Archipelago's most loved series and called the result LXCR. Range of moods The looks span arid, sun-baked desert...
Archipelago
This Soulmate product is a font, not a preset. The style Best Soulmate is a handwritten, signature-like script with smooth, flowing curves....
Soulmate Presets