CineStill took cinema film, the kind processed in ECN-2 chemistry, and adapted it for still cameras. The results have a distinct look, and this pack recreates it digitally.
Forty-seven presets in all: eight core looks plus a wide range of colour and tonal correction variants. That depth lets you adapt the style to different cameras and lighting while keeping it consistent.
A natural choice for night streets, neon, tungsten interiors and moody portraits.
Sean Archer's portraits look almost like oil paintings, with carefully shaped light and saturated colour. In partnership with LensLab, he tu...
Sean Archer
Zach & Grace have had editorial work published in Vogue, Tatler and Harper's Bazaar. The Union of Two pack puts the colour approach behind t...
Zach & Grace
A wedding day moves through a dozen kinds of light, and the hard part is making the gallery feel like one story. Zach & Grace designed Union...
Zach & Grace
Summer streets: sun bouncing off glass, cool pavements, pastel shop signs and neon later at night. This set translates the X100V's colour in...
Fujifilm Simulations
Fujifilm stocks have a colour signature many photographers adore, and these fifteen looks draw on it. Characteristics Clean hues, mild contr...
Digital LUTs Collection
Sam Hurd began his career shooting political news and celebrity portraits in Washington DC, turning down a NASA contractor job along the way...
DVLOP
LLŶR takes its name from a sea figure in Welsh mythology, and it's Archipelago's Quest for winter and the ocean. The palette Cool, icy tones...
Archipelago
This is the most extensive set in Rebecca Lily's catalogue, adding up to well over a hundred and fifty files. Breakdown More than ninety col...
Rebecca Lily