by Archipelago
Redwood takes you to the misty Pacific shoreline, where giant trees grow almost to the tideline and the morning fog refuses to lift.
Deep mossy greens with flashes of rust and burnt orange, all wrapped in a quiet, slightly mysterious haze.
Forest hikes, rugged coastal trips, camping weekends and landscape work in damp, grey weather, where the colours can stay rich instead of dull.
Photographers sometimes hold a crystal in front of the lens and rotate it until light bends in ways glass can't manage. Archipelago turned t...
Archipelago
At a glance Corrective Lightroom presets that adjust complexion only, not the overall grade Fixes skin that turns grey in shade, too orange...
Archipelago
Archipelago designed Chroma for photographers who aren't afraid of colour. The six looks make hues glow with confidence, the kind of saturat...
Archipelago
AUBADE is built for low sun, cloudy afternoons and rooms lit by one window. Archipelago leaned into earthy warmth and rich shadows with a re...
Archipelago
Odeon is for photographers who'd like their stills to look like frames lifted from a movie. Built in layers Three base presets lay a cinemat...
Archipelago
Liam Rimmington made Wayfarer for photographers who work on the move, in natural light and changing weather. A wide colour range At one end,...
Archipelago
Veritas means truth, and the collection favours honesty over tricks: accurate faces, clean whites and a gently filmic curve. The mood arrive...
Archipelago
Instead of forcing every photo toward a fixed style, Veralux works with the light already present in the scene. It is a true colour collecti...
Archipelago