by Archipelago
AUBADE is built for low sun, cloudy afternoons and rooms lit by one window. Archipelago leaned into earthy warmth and rich shadows with a restrained sense of drama: colour sits deep rather than bright, and contrast is firm without being brittle.
Gossamer adds a dreamy bloom and lifts highlights. Vestige brings vintage film patina and softer detail. Inkwell deepens blacks, adds micro-contrast and a cinematic vignette.
Made for intentional photographers: documentary and editorial storytellers, wedding and couple shooters, and portrait makers who prefer texture and subtle light, especially at golden hour and in atmospheric landscapes.
Liam Rimmington made Wayfarer for photographers who work on the move, in natural light and changing weather. A wide colour range At one end,...
Archipelago
Hours spent watching scenery drift past a car window inspired Overland. Archipelago tuned six base presets to different terrain, so a journe...
Archipelago
Raven is inspired by the minutes after sunset, when the light drains away and shadow takes over. The mood Dark and atmospheric. Colour is sl...
Archipelago
Sparks from a campfire rising toward a starry sky: that's the feeling Celestial chases. Liam Rimmington built it for the Archipelago collect...
Archipelago
Deserts, empty highways and far-flung landscapes are where NOMAD feels at home. The palette Sun-bleached and earthy: warm highlights, deep s...
Archipelago
Archipelago designed Chroma for photographers who aren't afraid of colour. The six looks make hues glow with confidence, the kind of saturat...
Archipelago
In Atelier the real subject is light. Rather than only grading colour, these presets mimic how studio modifiers behave, the soft falloff of...
Archipelago
Pittura speaks the language of oil painting. Archipelago used warm, aged pigments, creamy transitions and shadows that model form rather tha...
Archipelago