The colours of New York are distinctive: glowing cabs, brownstone reds, cold reflections from skyscrapers. André Josselin tuned his NYC presets to that palette.
Contrast is strong, blacks are heavy and bright areas stay lively. A Manhattan roof at sundown comes out warm and filmic; a Brooklyn alley at night keeps its edge. Signs, twilight and streetlights are handled without a synthetic look, and people stay natural.
Tuned separately for daylight and night, on RAW or JPEG. For street, travel, lifestyle, editorial and documentary photographers who want mood, not a gimmick.
Golden browns, deep ocean blues and soft pastel midtones make up André Josselin's recognisable palette, and this pack puts it in your editin...
André Josselin
Elle May tuned this trio for three specific lighting situations. Bright, direct sun A warm option with a faint red cast. Strong afternoon li...
1924us
Where the Instax pack is modern and bright, Instant Film looks back to the classic square Polaroid. Signature traits Faded contrast, pastel...
Digital LUTs Collection
This kit doesn't add a style. It contains twenty-six small utility presets for the tweaks you make on nearly every photo, so each becomes on...
G-Presets
Aura Vol. 1 departs from Vicky Baumann's Lake and Forest packs. Here skin is the star: creamy, soft and glowing, surrounded by mild cinemati...
Vicky Baumann
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Digital LUTs Collection
Instead of forcing every photo toward a fixed style, Veralux works with the light already present in the scene. It is a true colour collecti...
Archipelago
Photographers sometimes hold a crystal in front of the lens and rotate it until light bends in ways glass can't manage. Archipelago turned t...
Archipelago