by Watch Luke
Luke grades his personal posts and client jobs with this collection, so it values reliability over flashiness.
More than half of the forty-six looks are for landscapes. They keep sky and foliage realistic and give depth to hazy, misty views.
A smaller group handles portraits and commercial jobs with neutral skin in clean light, alongside a handful of more stylised moods and a few bonus filmic grades.
Gentle contrast and soft brights help on travel days when a series bounces between sunny ridges and shady alleys. Expect to adjust exposure and temperature, but the colour will feel unified across a set.
Motherhood and early family years deserve a gentle edit, and this collection was made for them: first days with a newborn, mums with their l...
Digital LUTs Collection
Takuya Okada, a photographer from Japan, prefers a tiny toolbox. He offers just five looks, and each one has a single job. One for blue-sky...
Takuya Okada
Kara Marie has worked in black and white for years, and this collection gathers six of her recipes, each with a grainy twin, for 12 presets...
Kara Marie
ARTA built this collection for the photos you take with boots on: cloud-wrapped peaks, pine-lined trails, mountain lakes and that warm glow...
ARTA Presets
Beaches and evening light are the heart of this We Are Memory Catchers set. Sea and foliage stay true rather than electric, bright areas sta...
We Are Memory Catchers
G-Presets made Campfire for people whose best memories happen outdoors: dawn summit pushes, icy alpine lakes and stories told around flicker...
G-Presets
K2BW is Tom Kahler's monochrome option. The look Bold, cinematic black & white with deep shadows and luminous highlights, while fine texture...
Tom Kahler
FilmicLab sampled genuine 35mm negatives and rebuilt their colour as LUT-based profiles, measured to an accuracy of 3.5 ΔE. There's no grain...
FilmicLab