Vicky Baumann's second MUSE volume builds on the grading of the first set with the same priorities: warm, honest skin, soft contrast and colour that stays in the background so the person in the photo carries the image. The finish is clean and editorial, and it holds together when the light is mixed or awkward.
With ten presets designed for portraits, weddings, lifestyle, fashion and commercial jobs, an entire client gallery can share one mood. It's aimed at photographers who edit large volumes but don't want to lose subtlety.
Use them in Lightroom Classic or Adobe Camera Raw on RAW and JPEG files.
Jose Villa's Fuji-inspired set for DVLOP chases a quality that's hard to imitate: light that is cool without feeling cold, and pastel withou...
DVLOP
Darkroom accidents and experiments, such as developing film in the wrong chemistry, skipping the bleach step or keeping extra silver in the...
Archipelago
A working portrait photographer created Cinegrade around the colour science of classic 35mm stock. Dark areas keep their information, the mi...
Presetrain
Photos from the air come with their own problems: flat noon light, pale skies and greens that look grey from high up. AAA Presets built this...
AAA Presets
These are the looks Jacob Nordin relies on for his own social feed and his paid assignments, now packaged for your Lightroom catalogue. The...
Jacob Nordin
After a wet winter, deserts sometimes erupt in wildflowers, an event known as a superbloom. Archipelago borrowed the name for a pastel set o...
Archipelago
Spring and summer light shaped this Pretty Presets release. JEWEL Evolution adds gentle, luminous colour with faint gem-like hues in the ton...
Pretty Presets
Imagine soft daylight from a window: mild warmth on skin, silky highlights and shadows with real structure. Karina Santos built The Refined...
Karina Santos