Twig & Olive set out to make warm presets that never turn people orange.
The looks are arranged in steps. The lower numbers are light and airy; climb higher and the result becomes moodier and punchier. Skin moves from soft cream toward deeper, richer browns along the way.
A gentle matte shoulder in the brights and a fine grain give an analog feel without hiding detail.
Pick the step that matches each session's light and the gallery stays consistent.
XMP files for Lightroom Classic and Camera Raw, with a quick start guide. Great for weddings, families, newborns and portraits.
Fall light feels heavy and golden, with warm faces and a palette of apple, spice and dried leaves. Twig & Olive captured that in Harvest Mat...
Twig & Olive Photography
Liam Rimmington made Wayfarer for photographers who work on the move, in natural light and changing weather. A wide colour range At one end,...
Archipelago
Luke Cleland edits his high-end weddings with this preset every day, so it's built for real deadlines rather than demo images. The look Brig...
Luke Cleland
Film colour depends on two things: the emulsion and the lab scanner. Classic Mini Lab Pro reproduces both. Scanners Fujifilm's Frontier SP-3...
The Classic Presets
Think spice stalls, terracotta alleyways, hand-painted doors and the golden haze of the Sahara. ARTA shaped Morocco Journey around those mem...
ARTA Presets
Rather than a style, White Pine's Atticus Bold gives you sixteen precise repair tools, painted on with a brush or placed as a radial filter....
White Pine
Light Explore is the breeziest member of the ARTA family. Character Shadows open up, highlights become soft and glowing, and faces stay natu...
ARTA Presets
Two priorities drive KWP07: whites that remain white and skin that remains human. Bright areas taper gently, so veils, table linen and gowns...
Kreativ Wedding