Michael Bennett designed Aurora to shorten editing sessions while still producing finished-looking images right after the click.
The pack separates colour from texture. First you set exposure and tone with one of the colour presets, then you add grain as a separate layer. Four custom colour profiles shape how colours respond in ways Lightroom's default profiles can't.
After applying a preset, most photos only need a quick exposure or white balance tweak. That makes Aurora a dependable starting point for anyone editing in volume who would rather not rebuild a look from zero every time. Runs in Lightroom Classic and Lightroom.
These are the looks Jacob Nordin relies on for his own social feed and his paid assignments, now packaged for your Lightroom catalogue. The...
Jacob Nordin
Picture a fashion magazine spread: natural skin with no orange cast, deep shadows that stay clear, clean highlights. Zach & Grace made these...
Zach & Grace
Creamy, honest skin and colour that behaves the way it did in the room: that's the idea behind Rebecca Frank's RF Co. pack. It leans editori...
Refined Co
Skin tone is where ImageHaus begins every edit. Their team has spent more than twelve years photographing fashion, editorial and weddings, a...
ImageHaus
Restraint defines this collaboration between G-Presets and Beba Vowels. Colour stays true to life, highlights are bright but never blown, an...
G-Presets
Zach & Grace have had editorial work published in Vogue, Tatler and Harper's Bazaar. The Union of Two pack puts the colour approach behind t...
Zach & Grace
Jose Villa's Fuji-inspired set for DVLOP chases a quality that's hard to imitate: light that is cool without feeling cold, and pastel withou...
DVLOP
Wet bark, moss and the dim light under a canopy shaped this pack from Woodland Presets. The grading is about mood rather than volume: deep g...
Woodland Presets