LKO 2.0 reworks the original LKO presets around the colours of America's Pacific Northwest.
Moss-covered forests, rocky coastlines and drizzly overcast days, where greenery can carry the image and mist adds mood.
Compared with the first release, the looks are more versatile across subjects and lighting, so they hold up beyond the woods too.
Well suited to portraits, weddings, elopements and landscapes. Released through Meridian.
Pablo Beglez designed PBX deliberately to avoid looking dated. The palette Understated and organic, rooted in amber, chestnut and gold, so i...
Meridian Presets
Nova pairs gentle pastel shades with metallic bronze and copper warmth, wrapping portraits in a moody glow while keeping skin honest. Develo...
Meridian Presets
Aether takes its feeling from two sources: the hazy, pearly light of the Greek islands and the gentleness of film. The result Luminous and t...
Meridian Presets
Desert light late in the day is the reference for Saguaro, a film-leaning set that Annie Morgan created for Meridian Presets. Highlights tur...
Meridian Presets
Rather than recolouring photos, Twyla Jones' Aero adds creative elements to them. Elements you can place Flocks and single birds mid-flight...
Meridian Presets
Mari Trancoso drew on the faded family photographs we keep in drawers, where texture and imperfection are part of their charm. What it gives...
Meridian Presets
Solstice was designed around the whole calendar, from the fresh colours of spring to the richness of autumn. The look Skin stays warm and na...
Meridian Presets
Meg Loeks designed Solstice for Meridian around the honey-coloured light of a late afternoon indoors, soft at the edges and a little wistful...
Meridian Presets